Wahlman Maude

 Wahlman Maude

Wahlman S. Maude

  • Courses1
  • Reviews2

Biography

University of Missouri Kansas City - Art History

PROFESSOR at UNIVERSITY OF MISSOURI-KANSAS CITY
Higher Education
MAUDE
WAHLMAN
Kansas City, Missouri Area
I teach survey and seminar courses in African, African-American, Meso-American, and Native American Art History, and advise Art History students in the Interdisciplinary Ph.D. program


Experience

  • University of Central Florida

    PROFESSOR

    Professor of Art History

  • UNIVERSITY OF MISSOURI-KANSAS CITY

    PROFESSOR

    Dorothy and Dale Thompson and Missouri Endowed Professor of Global Arts

  • University of Mississippi

    Assistant Professor

    Taught Art History

Education

  • Northwestern University

    Master of Arts (M.A.)

    Anthropology

  • Yale University

    Ph.D.

    Art History

  • Colorado College

    Bachelor's degree

    Art/Art Studies, General

Publications

  • Contemporary African Arts

    Field Museum of Natural History

  • Contemporary African Arts

    Field Museum of Natural History

  • Ceremonial Art of West Africa

    Kresge Art Center Gallery, Michigan State University

    From the Victor Dubois Collection : on Exhibition at the Kresge Art Center Gallery, September 30-November 4, 1979.

  • Contemporary African Arts

    Field Museum of Natural History

  • Ceremonial Art of West Africa

    Kresge Art Center Gallery, Michigan State University

    From the Victor Dubois Collection : on Exhibition at the Kresge Art Center Gallery, September 30-November 4, 1979.

  • Traditional Art of West Africa

    Colby College Museum of Art, Waterville, MN

    Selections from the Victor DuBois Collection : Colby College Museum of Art, Waterville, Maine, August 7-October 12, 1980.

  • Contemporary African Arts

    Field Museum of Natural History

  • Ceremonial Art of West Africa

    Kresge Art Center Gallery, Michigan State University

    From the Victor Dubois Collection : on Exhibition at the Kresge Art Center Gallery, September 30-November 4, 1979.

  • Traditional Art of West Africa

    Colby College Museum of Art, Waterville, MN

    Selections from the Victor DuBois Collection : Colby College Museum of Art, Waterville, Maine, August 7-October 12, 1980.

  • Baking in the Sun: Visionary Images from the South

    University of Washington Press

  • Contemporary African Arts

    Field Museum of Natural History

  • Ceremonial Art of West Africa

    Kresge Art Center Gallery, Michigan State University

    From the Victor Dubois Collection : on Exhibition at the Kresge Art Center Gallery, September 30-November 4, 1979.

  • Traditional Art of West Africa

    Colby College Museum of Art, Waterville, MN

    Selections from the Victor DuBois Collection : Colby College Museum of Art, Waterville, Maine, August 7-October 12, 1980.

  • Baking in the Sun: Visionary Images from the South

    University of Washington Press

  • Quilts from Appalachia

    Pennsylvania State University Art Gallery

  • Contemporary African Arts

    Field Museum of Natural History

  • Ceremonial Art of West Africa

    Kresge Art Center Gallery, Michigan State University

    From the Victor Dubois Collection : on Exhibition at the Kresge Art Center Gallery, September 30-November 4, 1979.

  • Traditional Art of West Africa

    Colby College Museum of Art, Waterville, MN

    Selections from the Victor DuBois Collection : Colby College Museum of Art, Waterville, Maine, August 7-October 12, 1980.

  • Baking in the Sun: Visionary Images from the South

    University of Washington Press

  • Quilts from Appalachia

    Pennsylvania State University Art Gallery

  • Signs and Symbols: African Images in African- American Quilts

    Penguin USA

    African-American quilts possess two unique qualities: more than any other American visual art, they most fully realize the expressive force of jazz, and they bind together generations of African-American families who have made and cherished quilts. In Signs and Symbols, quilt expert Maude Southwell Wahlman introduces readers to a third powerful force in these quilts: their African-derived meanings, patterns, and iconography. She explores the religious, ritual, philosophical, and aesthetic beliefs that have been retained by descendants of Africans in the New World and demonstrates how these beliefs are represented in their textiles. Now back in print, Signs and Symbols remains the most complete illustrated work on this art form; featuring over 150 high-quality full-color reproductions.

online

ARTHIS 315

1.5(2)