Resume

• 2005

  Doctor of Philosophy (Ph.D.)

  · Dissertation: Painting Against the Grain of History: Radical Traditionalism in Twentieth Century German Art\n · M.A. Qualifying Paper: \"Ambivalent Excess: Raphael's Loggetta\n Bibbiena and the Interpretive Limits of the Grotesque

  \"\n\n2009 Advanced Graduate Certificate

  Art History and Criticism; Art and Philosophy; Art History

  State University of New York at Stony Brook

  Graduate Certificate

  Art and Philosophy

  Stony Brook University

• 2001

  College Art Association

  Southeast College Art Conference

  Modernist Studies Association

  German

  English

  Bachelor of Arts - BA

  Art History

  Hiram College

• Hans Haacke

  or the Museum as Degenerate Utopia

  Kritikos V.4

  March 2007

  an international and interdisciplinary journal of postmodern cultural sound

  text and image Volume 4

  March 2007

  ISSN 1552-5112 To control a museum means precisely to control the representations of a community and its highest values and truths.

  Emerging Scholars Symposium: Part 1

  In the spirit of Chaos and Classicism: Art in France

  Italy

  and Germany

  1918-1936

  the Sackler Center for Arts Education sponsors a symposium showcasing emerging scholars

  moderated by Kenneth E. Silver

  guest curator and Professor of Modern Art

  New York University

  and Vivien Greene

  Guggenheim Curator of 19th- and Early 20th-Century Art.

  Fine Art

  Art

  Contemporary Art

  Teaching

  Teaching Experience

  History

  Editing

  Research

  Microsoft Office

  Art History

  Public Speaking

  Art Criticism

  Critical Theory

  Art Education

  Higher Education

  Otto Dix's Lasurtechnik and the Dialectics of Tradition

  Otto Dix's Lasurtechnik and the Dialectics of Tradition

  HANS HAACKE O EL MUSEO COMO UTOPÍA DEGENERADA

  Hans Haacke

  of the Museum as Degenerate Utopia

  2013\t“Artist Must be Beautiful”: Forms of Violence in Yugoslav Feminist Video

  ” SECAC

  Greensboro

  NC

  October 31-November 2

  2011\t“Painting Historical Materialism: Die Gesetze der Malerei and the Radical Use of Tradition in Neue Sachlichkeit Painting

  ” Emerging Scholars Symposium: “Is Returning to the Past Modern?” Solomon R. Guggenheim Museum

  New York

  NY

  January 5

  2015 “An Alternative Autonomy: Gerhard Richter’s Landscapes and the Persistence of History in Contemporary Painting

  ” SECAC

  Pittsburgh

  PA

  October 21-24

  2008\t“Politicizing the Flesh: Verist Nudes and the Cultural Politics of Prostitution in Weimar Germany

  ” The 34th Annual Cleveland Symposium

  Cleveland Museum of Art

  29 February 2008

  “Thomas Hirschhorn’s Re-Modernism and the Problem of Appropriation

  ” SECAC

  Roanoke

  VA

  2009\t“Oskar Kokoschka and the Crisis of Expressionism

  ” invited lecture

  Artalk Lecture Series

  Gallery North

  Setauket

  New York

  August 14

  2012\t“A Model for the Creation of a New World: The Afterlife of Vladimir Tatlin’s Monument to the Third International in the Avant-Garde Imaginary

  ” North American Historical Materialism Conference

  York University

  Toronto

  May 11-13

  2004\t“Stylistic Nostalgia in the Portraiture of Otto Dix

  ” Case Western Reserve University Undergraduate Art History Symposium

  Cleveland Museum of Art

  2014\t“Thomas Hirschhorn’s Contentious Neomodernism

  ” Modernist Studies Association Conference

  Pittsburgh

  PA

  November 6-9

  2008\t“George Grosz’s Interregnum and the Erotics of Fascism

  ” First Annual Queer Symposium

  State University of New York at Stony Brook

  2009\t“Destroying the Real with Pithy Objectivity: The Dada Criticism of Carl Einstein

  ” Annual Graduate Symposium

  Art Department

  State University of New York at Stony Brook

  12 May 2009

  2008\t“Radical Traditionalism and the New Objectivity

  ” invited lecture

  Hiram College

  28 February 2008

  English

  Travis

  English

  Frostburg State University

  Stony Brook University

  Hiram College

  Allegheny College

  Frostburg

  MD

  Chair

  Visual Arts Department

  Frostburg State University

  Taught: Seminar on Dada and Surrealism

  Western Survey II

  Early Modernism

  Art Since 1945

  Contemporary Global Art

  History of Photography

  Allegheny College

  Instructor

  Teaching Global Art Surveys and 20th Century Art.

  Stony Brook University

  Frostburg State University

  Frostburg

  MD

  Associate Professor

  Art History

  Art History

  Stony Brook University

  Visiting Lecturer

  Taught: Early Modernism

  Western Art Survey

  Seminar on Art Theory and Methodologies

  Hiram College

  Frostburg State University

  Frostburg

  MD

  Teaching: Western Art Survey

  Contemporary Global Art

  20th Century Art

  Art Criticism

  Renaissance and Baroque

  19th Century Art

  Gender in Art

  Asian

  African and Pre-Columbian

  Greek and Roman Art

  Assistant Professor

  Art History