Political Leanings:
Liberal | Conservative |
University of Oregon - Women's Studies
Women's and Gender Studies Instructor
Mentored undergraduate and graduate students as they led discussion sections for Women's and Gender Studies 101 (Women, Difference, and Power), taught 8 terms of Women's and Gender Studies 101, two terms of Feminist Pedagogy, as well as Feminist History and Development, Gender, Literature & Culture, and the writing capstone course for seniors.
Composition GTF
Sarah worked at University of Oregon as a Composition GTF
Postdoctoral Fellow
At the UO, I teach courses in contemporary American literature, feminist science fiction, film and media studies, trans* literatures, writing, and women's and gender studies.
Women's, Gender, and Sexuality Studies Faculty
I teach several courses in the Women's, Gender, and Sexuality Studies Department, housed within the Interdisciplinary Studies program at the University of Central Missouri. Classes I teach include: Women's Voices (WGS intro); Sexuality, Identity, and Action; Feminist Theory & Methods; Intro to TV Studies; Dystopian Fiction; LGBTQ Studies; Queer Theory.
Writing Specialist and Tutor
Undergraduate writing, grant writing, cover letters, personal statements, resumes, technical writing
Bachelor's degree
Gender Studies
Bachelor's degree
English
Doctor of Philosophy (PhD)
English & Women's and Gender Studies
Women's and Gender Studies Instructor
Mentored undergraduate and graduate students as they led discussion sections for Women's and Gender Studies 101 (Women, Difference, and Power), taught 8 terms of Women's and Gender Studies 101, two terms of Feminist Pedagogy, as well as Feminist History and Development, Gender, Literature & Culture, and the writing capstone course for seniors.
Composition GTF
Postdoctoral Fellow
At the UO, I teach courses in contemporary American literature, feminist science fiction, film and media studies, trans* literatures, writing, and women's and gender studies.
Auto/biography Studies
U.S. ideologies—which medical discourses create and maintain—rationalize trans* people as trapped within improper bodies or as liberated within surgically constructed new ones. In contrast, trans* autobiographers resituate themselves as active subjects rather and understand gender as a diverse spectrum. Twenty-first century autobiographers Jennifer Finley Boylan and Alex Drummond imagine trans* identity as productive – the goal is not to justify gender diversity but to explore it. Drummond and Boylan reconceptualize trans* identity as viable with or without medical intervention and articulate a continuous subject rather than one split between past and present, thereby resisting dominant ideals of trans* selfhood.