Resume

• 1993

  MA/Ph.D.

  English

  Indiana University Bloomington

• 1989

  A.B.

  English

  Princeton University

• Research

  Editing

  University Teaching

  Academic Advising

  Higher Education

  College Teaching

  Science

  Lecturing

  Curriculum Design

  Student Affairs

  Public Speaking

  Curriculum Development

  Teaching

  Recent Reinterpretations of Stevenson’s Dr. Jekyll and Mr. Hyde: Why and How This Novel Continues to Affect Us

  Recent Reinterpretations of Stevenson’s Dr. Jekyll and Mr. Hyde: Why and How This Novel Continues to Affect Us

  The Victorian Actress in the Novel and on the Stage

  Nineteenth-Century Theatrical Adaptations of Novels: The Paradox of Ephemerality

  Why I Struck [On International Women's Day: \"A Day Without A Woman.\"]

  This is a syllabus for Renata Kobetts Miller's capstone research course on Melodrama at the City College of New York in Spring 2019. It is built on the Cambridge Companion to English Melodrama

  edited by Carolyn Williams (2018). The syllabus includes the final assignment sequence for scaffolded research.

  Syllabus for Melodrama

  with assignments

  Spring 2019

  Slides from Renata Kobetts Miller's (City College of New York) presentation as part of the panel on \"The Problems and Possibilities of Parenting in the Academy\" at the 2019 Modern Language Association Convention in Chicago

  IL.

  Practical Advice and Institutional Supports for the Parenting Professoriate

  J. T. Grein’s founding of the Independent Theatre Society in 1891 marks a turning point in the cultural history of British theater. For the first time

  the London stage had a theater that eschewed popular and profitable forms and embraced avant-gardism. While the Independent Theatre provided an alternative to the commercial theater

  drama critics began to define their work as a non-commercial assessment of theater. Focusing on 1893

  Miller demonstrates that reviewers in the early 1890s either directly used the Independent Theatre to define their own cultural roles or indirectly reflected the Independent Theatre’s concept of writing for an audience that is elevated above mass culture.

  1893: The Independent Theatre and the Cultural Work of Drama Criticism

  Letter to the Editor in response to David Brooks's \"Why Is Clinton Disliked?\"

  An advice column written by Renata Miller during her first year on the faculty at the City College of New York.

  Finishing the Dissertation

  The Katy Perry-Elmo Dust-up is about Sexualization

  Renata Miller at the City College of New York urges: in an era of increasing contingency and devaluation of the humanities

  we should take a moment to reconsider the meaning of activism.

  A Midcareer Feminist Reflection

  The Cultural Work of Drama Criticism in the Early 1890s

  Renata Kobetts

  Miller

  City College of New York

  City College of New York