Monica Hart

 Monica Hart

Monica Hart

  • Courses5
  • Reviews6
Sep 25, 2019
N/A
Textbook used: Yes
Would take again: Yes
For Credit: Yes

0
0


Mandatory



Difficulty
Clarity
Helpfulness

Awesome

Prof Hart made this class really interesting. Be sure to take notes throughout the lectures. If it is talked about during class, then it will be on the test.

Sep 25, 2019
N/A
Textbook used: Yes
Would take again: Yes
For Credit: Yes

0
0


Mandatory



Difficulty
Clarity
Helpfulness

Awesome

I recommend you to take detailed notes of every lecture! If Professor Hart talks about it, it will be on the test.

Biography

West Texas A&M University - English


Resume

  • 2012

    Canyon

    Texas

    I am Associate Professor of British Romanticism and Victorian Literature at West Texas A&M University (WTAMU). I publish scholarly essays of literary criticism and history in professional periodicals and book-length collections. I present my work at professional conferences

    and I am a frequent speaker at community events. \n\nI am an award-winning teacher of literature and writing. I work with undergraduate and graduate students

    direct Master's theses

    and supervise capstone projects for B.A. in English candidates. I develop and teach new courses in English literature

    both traditional face-to-face classes and online offerings. I work as an adviser for undergraduate B.A. in English majors and students seeking Texas certification in Secondary English Language Arts (ELA 7-12). \n\nI participate in faculty governance and professional service. My major service roles have included serving as Director of Writing Programs and as Undergraduate English Coordinator at WTAMU

    as a Faculty Fellow in WTAMU’s Advising Services

    and as co-chair of the WTAMU Emerging Leaders Academy for 2016-17 focused on Academic Integrity.\n\nFor details

    please see my curriculum vitae.

    Associate Professor of English: British Romanticism & Victorian Literature

    West Texas A&M University

    West Texas A&M University

    Director

    Office of Writing Programs

    As Director of the Office of Writing Programs (OWP) at West Texas A&M University (WTAMU)

    I am responsible for the day-to-day operations of the Writing Program and its long term strategic planning. Duties include:\n\n•\tServe as administrative head of the program;\n•\tCoordinate 120+ sections of OWP courses each academic year;\n•\tDirect the Non-Course Competency Based Program for developmental reading and writing;\n•\tCreate interdisciplinary learning communities that incorporate OWP courses;\n•\tPrepare budgets and funding requests for all OWP programs;\n•\tOversee curriculum development and implementation for developmental reading and writing;\n•\tOversee curriculum development and implementation for first year composition;\n•\tOversee curriculum development and implementation for introductory technical communication;\n•\tCreate and facilitate faculty development programs;\n•\tOversee hiring

    training

    retention

    and review of part time instructors;\n•\tOversee hiring

    training

    retention

    and review of graduate teaching assistants;\n•\tOversee hiring

    training

    and review of student tutors; \n•\tAddress student issues related to first-year writing;\n•\tChair the WTAMU ENGL Composition Committee;\n•\tServe on the WTAMU Developmental Education Committee.

    West Texas A&M University

    18- and 19th-century British Women Writers Association

    Board Member

    At Large

    Session organizer

    Rocky Mountain Modern Language Association

  • 2005

    Hart

    University of Georgia

    West Texas A&M University

    Athens

    Georgia

    Robert E. Park Postdoctoral Fellow

    University of Georgia

  • 2000

    Ph.D.

    English literature

  • 1998

    MA

    English

  • 1987

    BFA

    Theatre

  • Curriculum Development

    Research

    Instructional Design

    Academic Advising

    Student Development

    Editing

    Higher Education

    Student Affairs

    Critical Thinking

    Tutoring

    Literature

    Social Media

    Public Speaking

    Event Planning

    Copy Editing

    Curriculum Design

    University Teaching

    History

    Adult Education

    Qualitative Research

    The Factory Exile: Ellen Johnston's Autobiography

    Poems and Songs

    The Factory Exile: Ellen Johnston's Autobiography

    Poems and Songs

    This essay details how to use the prefatory material in Ann Yearsley’s volumes as a way of introducing the patronage system and identity construction for the laboring-class writer

    and then demonstrates the importance of juxtaposing those narrative self-constructions with her poetic personae. Addressing two poems in depth

    “To Mr. R” and ““To the Honorable H——E W——E

    on reading The Castle of Otranto

    ” the author includes specific questions for classroom discussion; illustrates using the Oxford English Dictionary in the interpretive process; addresses integrating Yearsley’s work into upper-division as well as lower-level core curriculum courses; and ends with a consideration of class and socioeconomic issues in contemporary American college classrooms.

    Poeta nascitur non fit: Teaching Ann Yearsley's Life and Works (forthcoming)

    “Charlotte Smith’s Exilic Persona.”

    The essay argues that typical readings of Smith as a poet writing in a traditional Romantic mode

    creating lyrics that depict a melancholic individual subject drawing inspiration and education from the natural world

    risk marginalizing her. Recognizing exile as both biographical reality and literary trope is central to an understanding of Smith’s verse

    for she also wrote poetry with a significant political agenda

    one that distinguishes her from her early Romantic contemporaries and challenges the parameters of English Romantic nationalist discourse.

    “Charlotte Smith’s Exilic Persona.”

    \"Arson and Murder in Kate Chopin's _At Fault_\"

    Essay argues that the works of Ann Yearsley

    milkmaid turned poet

    reshape the emerging narrative of plebeian poetry during the early Romantic era. This narrative all too often holds a particularly precarious supposition to be true: that writings by laboring-class authors automatically enact either radical rebellion or absolute assimilation. In this scenario

    either the poetry should be read as overt social criticism or regurgitated middle-class rhetoric. Yearsley’s *Poems on Several Occasions* does not fall neatly into this paradigm

    as the volume’s education of the lower classes reveals a sophisticated balance of poetic protest and performance

    political acquiescence and resistance. Ultimately

    this volume takes on a radical new significance when read in context of late 18th-century arguments against education for women and the laboring-classes.

    “Protest and Performance: Ann Yearsley’s Poems on Several Occasions.”

    Book review.

    Rev. of Romanticism

    Sincerity and Authenticity

    eds. Tim Milnes and Kerry Sinanan. NBOL-19.

online

ENG 2321

3(1)

online

ENGL 2321

3(2)