Instructor
Kevin R. Muller
- Courses4
- Reviews7
- School: College of Marin
- Campus: Kentfield
- Department: Art
- Email address: Join to see
- Phone: Join to see
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Location:
FA 105 835 College Ave
Kentfield, CA 94904 - Dates at College of Marin: August 2017 - May 2020
- Office Hours: Join to see
N/A
Would take again: Yes
For Credit: Yes
0
0
Mandatory
Awesome
Prof. Muller is very passionate in this course and he makes it very interesting for his students. His tests are composed of essay questions based on lecture and he's very clear about his expectations. If you don't show up in class, you will definitely have a hard time. He's very understanding and accommodating.
N/A
Would take again: Yes
For Credit: Yes
0
0
Mandatory
Awesome
I took American Art History last semester for my Gen-Ed requirements. While it wasn't related to my major, it became one of the best classes I've taken here! Mr.Muller knew a lot about the course and the material and the discussions were thought provoking. Loved this class, take it!
N/A
Would take again: Yes
For Credit: Yes
0
0
Mandatory
Awesome
Professor Muller, taught his students how to think critically. Also, he's very approachable and do cares about his students. Just take a lot of notes and you'll be fine.
Biography
College of Marin Kentfield - Art
Education:
Ph.D. in History of Art, University of California, Berkeley, Berkeley, California, 2003
(Specialization in American Art)
M.A. in Art History, University of Oregon, Eugene, Oregon, 1991
(Specialization in Early Modern French Painting)
B.A. in Art History/Criticism, University of California, San Diego, La Jolla, California, 1988
n my research, writing, and teaching, I take the position that American art is the product of, and therefore also the representation of, intercultural exchange between different “Americans,” including European Americans, Native Americans, African Americans, Asian Americans, and Latinx men and women, among others. As a result of these encounters, strikingly hybridized artforms were often produced, which have much to teach us about what we call “the American experience.” Specifically, I seek to understand how the design, construction, and imagery of these objects were – and still are – expressive of deeply held personal and communal values and how, when located within larger patterns of American history, such objects represent the conscious forging and managing of individual and collective identities in the face of social, political, and economic change.
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- Kevin R Muller (60% Match)
Instructor
College Of Marin - College Of Marin
