Resume

• 2012

  Art Criticism: Art in America

  Exhibitions include:\n\nJoseph Beuys

  Process: 1971 - 1985

  Rooster Gallery

  New York

  NY January 8 - February 9

  2014\nA ≠ A

  Panepinto Galleries

  Jersey City

  NJ September 27 - November 24

  2013\nPaper Goods

  Susan Eley Fine Arts

  New York

  NY May 9 - June 21

  2013\t\nFictitious Truths: Exercises in Realism

  Rooster Gallery

  New York

  NY October 25 - Dec 2

  2012\nMATERIAL TAK

  Panepinto Galleries

  Jersey City

  NJ\tJune 8 - July 15

  2012\t\t\t\t \nKylla Kylla

  Panepinto Galleries

  Jersey City

  NJ\tMarch 8 - April 6

  2012\t

  Panepinto Galleries

  Susan Elley Fine Art

  Rooster Gallery

• 2006

  SELECTED SOLO and TWO-PERSON EXHIBITIONS\n\n2016 Překlad

  Berlinskej Model

  Prague

  Czech Republic (upcoming)\n ReVerb

  Fridman Gallery

  New York

  NY\n2015 Trace/Matter

  Curated by Charlotta Kotik

  FiveMyles Gallery

  Brooklyn

  NY \n2013 Soliloquies for Former Narcissistic Acts

  Dow Center for Visual Arts

  Interlochen

  MI\n2011 Monuments of Language

  Leedy-Voulkos Art Center

  Kansas City

  MO\n2008 Artist of the Month

  NJ State Council for the Arts

  www.jerseyarts.com\n\nGROUP EXHIBITIONS\n\n2016 Cosmic Connections

  TOTAH

  New York

  NY\n On the Nature of Time

  curated by Jaro Varga and Zuzana Jaklova

  Skolksa Gallery

  Prague

  CZ

  A.I.R. Gallery

  City Without Walls

  International Women's Museum

  Queens College Art Center

  Shoshana Wayne Gallery

  Friedrich Petzel Gallery

  Gallery Aferro

  Pera Museum Istanbul

  Trinity Museum

  Jersey City Museum

  Montclair Art Museum

  Kara L.

  Rooney

  The Brooklyn Rail

  School of Visual Arts

  PI Art Center

  New York

  NY

  Professor

  School of Visual Arts

  New York

  NY

  Professor

  PI Art Center

  Brooklyn

  •\tResponsible for line editing

  distribution and approval of all monthly editorial pieces \n•\tAct as managing liaison between publisher and regular contributors\n•\tInvolved in all aspects of editing

  layout

  and proofing processes for 20+ articles per month\n•\tAct as a regular contributor to the ARTSEEN section: contributions include reviews

  essays and interviews and are submitted on a monthly basis

  Editor at Large

  The Brooklyn Rail

  •\tOversee a staff of 25 personnel under the umbrella of the Office of Admissions\n•\tDirectly manage 8 Counselors specifically designated for off and on-site recruitment based efforts\n•\tResponsible for the organization of over 130 off-site events and high school visits per year\n•\tPioneered and implemented the development of the school’s current Portfolio Development Presentation

  workshops and recruitment practices with an emphasis on relationship building and the enrollment of quality applicants\n•\tDirectly contributed to record enrollment at the college for the 2008 and 2010 fall terms\n•\tResponsible for regular monitoring of enrollment and application numbers

  budget projections

  publication distribution and development

  School of Visual Arts

• 2005

  French

  MFA

  Art Criticism and Writing

• 1999

  Visiting Student

  Painting

  Parsons Paris

• 1997

  BFA

  Studio Art/Women's Studies

  Bates College

• Installation Design

  Contemporary Art

  Writing

  Studio Art

  Art History

  Curating

  Art Criticism

  Editing

  Arts Administration

  Printmaking

  Teaching

  Sculpture

  Photoshop

  Video

  Art

  Art Education

  Painting

  Fine Art

  Literary Criticism

  Public Art

  Art Criticism: The Brooklyn Rail

  Phong Bui

  Art Criticism: The Brooklyn Rail

  Luc Tuymans: On&BY

  Whitechapel Gallery

  Overview\nLuc Tuymans is one of the most influential figurative painters working today. Born in 1958 and based in Antwerp

  he has exhibited since 1985

  emerging internationally in the early 1990s as an artist who has addressed not just the continuation of painting's relevance but subjects as difficult to represent as the long-lasting traumas of war

  colonialism

  and everyday violence. Tuymans has also been a filmmaker

  a curator of his own art and its context

  an exhibitor of other artists past and present

  and an eloquent writer on his work and that of the image-makers

  thinkers

  and authors who affect him. His pictures are ghosted by language

  always in a relationship with their precisely considered titles and the constant articulation of reflections on their themes and ideas.\n\nEdited by the historian and publisher Peter Ruyffelaere and with an introduction by critic and curator Adrian Searle

  this volume collects Tuymans’ writings on his own and others’ images

  from Van Eyck

  Velázquez

  and El Greco to Edouard Manet

  Giorgio Morandi

  Hans-Jürgen Syberberg

  Chris Marker

  Neo Rauch

  Paul McCarthy

  and Jeff Wall. It includes dialogues with Tuymans’ artist contemporaries Ai Weiwei

  Kerry James Marshall

  and Wilhelm Sasnal

  interviews with Daniel Birnbaum

  Martin Herbert

  Jean-Paul Jungo

  Udo Kittelmann

  Luc Lambrecht

  Wim Peeters

  Kara Rooney

  and Yasmine Chtchourova-Van Pee

  and writings on the artist’s central works and ideas by Montserrat Albores Gleason

  Laura Hoptman

  Joseph Leo Koerner

  Takashi Murakami

  Philippe Pirotte

  Adrian Searle

  and Pablo Sigg.

  Luc Tuymans: On&BY

  Storytelling is one of the most innate expressions of human nature. It is also the means by which we store

  retain and invent our collective and personal histories. This use of language has shifted dramatically over time

  from the oral storytelling methods of the ancients to the invention of linear scripts

  and finally

  the advent of technology and cyberspace. How have these shifts been visualized in the work of art? How has the element of language affected our notions of what art is and vice versa? This book examines such questions via a critical assessment of the works of revolutionary image-makers in the contemporary arts. A shift in consciousness is developing. As proposed by new-media theorists

  the possibilities imparted with the invention of cyberspace have set the stage for an endless exploration of alternative identities

  histories and modes of understanding. Overlaying cybernetically charged fields of visualization upon the established oral methodologies of the ancients

  these artists and critics lay the basis for our narrative (r)evolution.

  The Narrative (R)evolution: A Rewriting of Ideas in the Interplay of Language

  Art and Cyberspace