Resume

• 2003

  UC Berkeley

  City College of San Francisco

  Johns Hopkins University

  Art Practical

  unexpected projects

  McKinsey & Company

  LACMA

  Getty Research Institute

  Townsend Center for the Humanities

  San Francisco Bay Area

  Lecturer

  Art Department

  City College of San Francisco

  City College of San Francisco

  San Francisco Bay Area & New York

  http://www.unexpectedprojects.com

  co-founder

  unexpected projects

  Los Angeles

  Getty Research Institute

  Mellon/ Townsend Discovery Fellow

  UC Berkeley

  Townsend Center for the Humanities

  McKinsey & Company

  New York

  NY

  Business Analyst

  San Francisco

  http://www.artpractical.com/

  Associate Editor

  Art Practical

  Los Angeles

  research

  writing

  planning in collaboration with other curators for Picasso and Rivera: Conversations Across Time at LACMA

  guest curator

  LACMA

  UC Berkeley

  Johns Hopkins University

  Baltimore

  Maryland

  Assistant Professor of Ancient Mediterranean Art and Architecture

  CASVA

  National Gallery of Art

  Italian

  German

  French

  Greek

  Ancient (to 1453)

  Latin

  Doctor of Philosophy (PhD)

  Art History

  Criticism and Conservation

  University of California

  Berkeley

• 2000

  MSt

  Classical

  Ancient Mediterranean and Near Eastern Studies and Archaeology

  University of Oxford

• 1996

  Bachelor of Arts (B.A.)

  History of Art and the Classics

  Radcliffe rowing

  Harvard College

• www.jenniferstager.com

  Young Audiences of Northern California

  co-chair of Outdoor Education

  voting member of the PTA Executive Board and co-chair of outdoor education

  Alvarado Elementary (San Francisco)

  Nonprofit Organizations

  Strategic Planning

  Nonprofits

  History

  Strategic Partnerships

  Program Management

  Museums

  Research

  Archives

  Curating

  Art Exhibitions

  Grant Writing

  Teaching

  Public Speaking

  Editing

  Connecting People

  Art History

  Community Outreach

  Art

  Marketing

  The Edge Effect

  Jenny Salomon

  II of V: unexpected projects in conversation with BAASICS for SFMOMA Open Space.

  The Edge Effect

  A collection of essays discussing historical

  cultural and social aspects of color in the Ancient World and Pre-Columbian America (circa 3000 B.C.- 1000 A.D.).

  The Materiality of Color in Ancient Mediterranean Art in Essays in Global Color HIstory (R. Goldman

  ed.)

  Jenny Salomon

  I of V in series on collaboration by unexpected projects for SFMOMA Open Space. We talk with Ingrid Rojas Contreras & Jeremiah Barber.

  Other Half Orbit

  Torn Bodies for Pleasure: Classicism and Monstrosity in Picasso's Illustrations of Ovid's Metamorphoses

  Scars: An Anthology examines the range and nuance of experience related to scars of the body. Through various genres and mediums

  forty contributors address self-mutilation

  creating art

  gender confirmation surgery

  cancer

  birth

  brain injury

  war

  coming of age

  pain

  and love

  all focusing on the central question of what it means to live with physical scars.

  \"Mending with Gold\" in Scars: an Anthology (ed. Erin Wood)

  Jenny Salomon

  V of V on collaboration: unexpected projects in conversation with the Center for Tactical Magic

  Power Equals Secret Pockets

  Jenny Salomon

  III of V: unexpected projects sits down with Jonn Herschend and Will Rogan @ THE THING QUARTERLY.

  Objects Sublimated to Things

  Finding meaning in trash is not only the purview of archaeologists...

  Recology SF AIR

  Jenny Salomon

  IV of V: unexpected projects on the ongoing collaboration of Chris Evans and Ernest Jolly

  Community Property

  Hold On

  Jennifer

  Stager

  CASVA

  National Gallery of Art