Federico Bonacossa

 FedericoJ. Bonacossa

Federico J. Bonacossa

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Biography

Federico J Bonacossa is a/an Instructor in the Florida International University department at Florida International University

Florida International University - Music


Resume

  • 2011

    Florida International University

    Instructor of Music Theory and Musicology

    Florida International University

    I teach music theory and ear training classes.

    Master's Degree

    Studied music composition and electronic music.

    Music Composition

    Florida International University

  • 2005

    Florida International University

    University of Miami

    Miami Dade College

    I taught classical guitar.

    University of Miami

    Italian

    English

    Doctor of Musical Arts

    Studied classical guitar performance

    music theory

    and composition.

    classical guitar performance

    University of Miami

  • 2004

    music and arts center

    music and arts center

    Adjunct Professor

    Guitar professor

    Miami Dade College

  • 2003

    Master of Music

    Studied classical guitar performance.

    classical guitar

    Peabody Conservatory

  • 1999

    Diploma (BM)

    Studied classical guitar performance.

    Music Performance

    General

    Conservatorio Statale G. P. da Palestrina

  • Classical

    Classical Guitar

    Ensemble

    Chamber Music

    Sound

    Guitar

    Concerts

    Guitarist

    Music

    Event Planning

    Composition

    Music Education

    Recording

    Teaching

    Orchestral Music

    Microsoft Office

    Music Theory

    Sound Design

    Entertainment

    Performing Arts

    Rivir for solo viola

    Rivir for solo viola

    Rivir for solo viola

    D’improvviso da immobile s’illumina is a concerto for bass clarinet

    two orchestras

    piano

    and percussion

    that I composed during my graduate studies at Florida International University in Miami. The work is approximately 16 minutes long and is scored for 30 independent instrumental parts in addition to the bass clarinet soloist. Although the piece does not incorporate electronics

    electronic music was a major influence in its creation

    and the computer was used extensively as a compositional tool. In addition

    the writings of Henry Cowell and the music of Sofia Gubaidulina influenced the concerto in a number of ways. While writing this work

    I had to discover new ways to allow pure instinct to intermingle with strict calculation. This paper will discuss in detail the various techniques used in the creation of the concerto as well as some of the works that influenced it.

    Materials and Techniques in d'improvviso da immobile s'illumina for bass clarinet

    two orchestras

    piano

    and percussion.

    This essay came about as a result of the desire to study and collect the guitar\nmusic of Franco Margola. Franco Margola composed over 450 works for guitar

    most of\nwhich are unpublished and virtually all of which are unknown to most guitarists. This\nessay focuses on Margola’s chamber works with guitar

    which include some of his best\ncompositions. The study contains historical background information

    an ample biography

    \nas well as an overview of the currently published works for solo guitar. The main portion\nof the essay consists of an outline and an annotated catalog of all of Margola’s chamber\nworks with guitar

    including the unedited works. The purpose of this project is to promote\nMargola’s guitar music by providing current information on its quality

    availability

    \ncondition

    length

    and difficulty level.

    Franco Margola's Chamber Works with Guitar: A Guide and Annotated Catalog\" (2009)

    Materials and Techniques in d'improvviso da immobile s'illumina for bass clarinet

    two orchestras

    piano

    and percussion.

    Cinque Impressioni - Franco Margola (editor)

    Cinque Impressioni - Franco Margola (editor)

    PolyRhythmia: a journey. In this 37-minute tour de force

    the dancers shape the space on a journey through harmony and dissonance and explode with athletic prowess. While created with the specific intent to be void of narrative or character

    ironically PolyRhythmia creates a very human experience

    as well as a vibrating conversation between movement and music through a host of polyrhythmic

    eurythmic

    isorhythmic and even arrhythmic variations

    to negotiate a resolution—a final moment of apparent order.

    Diego Salterini

    Bonacossa

    Federico

    Bonacossa

online

MUT 1001

5(1)