University of Maryland - Art History
Dept. of Art History and Archaeology
University of Maryland
College Park
College Park
MD
Teaching in all areas of Southern European Baroque Art History; Director of Graduate Field Committee in Medieval and Early Modern Studies (MEMUM); Undergraduate Director; Chair of Faculty Search Committees in Ancient Roman and Ancient Eastern Mediterranean Art; many other administrative assignments.
Professor
University of Maryland
College Park
Dept. of Art History and Archaeology
Wake Forest University
Wake Forest University
Kenyon College
Gambier
Ohio
Kenyon College
Gambier
Ohio
Associate Professor
University of Maryland
College Park
Italian
English
French
Doctor of Philosophy (Ph.D.)
Specializing in Italian Renaissance and Baroque art
art theory and criticism
I completed my Ph.D. dissertation titled 'The tender Infant: Invenzione and Figura in the Art of Poussin' in 1987.
History of Art
Graduate Fellowships 1980-83; 1985-86\nFellow of Villa Spelman
Florence
Italy 1982-83\nKress 'Rome Prize' Fellow
American Academy in Rome 1983-85
The Johns Hopkins University
Bachelor's degree
Art History
Rutgers University (Rutgers College)
Public Speaking
Grant Writing
Editing
Higher Education
Teaching
University Teaching
Research
Art History
History
Titian
Colonna and the Renaissance Science of Procreation (2010)
Titian
Colonna and the Renaissance Science of Procreation demonstrates that two major monuments of Italian Renaissance culture - Bellini's and Titian's famous series of mytho-poetical paintings for the camerino of Duke Alfonso d'Este of Ferrara
and Francesco Colonna's Hypnerotomachia Poliphili - were conceived as mnemonic or pedagogical devices aimed at educating the reader/beholder in the medical science of reproductive physiology and the maintenance of sexual health. It is further argued that the learned courtier Mario Equicola
who conceived the pictorial program of Duke Alfonso's camerino
had read Colonna's text and was extensively inspired by its prior literary argument.
Colantuono
Anthony Colantuono is Professor of Early Modern Italian Art History specializing in 17th Century Southern European Art at the University of Maryland
College Park. He earned his Ph.D. at The Johns Hopkins University with a dissertation entitled: 'The Tender Infant: Invenzione and Figura in the Art of Poussin' (1987). He held a two-year Kress Fellowship at the American Academy in Rome (1983-85)
a Robert Lehman Fellowship at Villa I Tatti (The Harvard University Center for Italian Renaissance Studies in Florence
Italy)
and two NEH Fellowships (Summer 1990
and calendar year 2004). He is the author of several books including 'Guido Reni's Abduction of Helen: The Politics and Rhetoric of Painting in Early Modern Europe' (Cambridge University Press
1997); 'Titian
Colonna and the Renaissance Science of Procreation: Equicola's Seasons of Desire' (Ashgate
2010); and (co-edited with Steven Ostrow)
'Critical Perspectives on Roman Baroque Sculpture' (Penn State University Press
2014)
as well as numerous scholarly articles and essays on diverse theoretical and interpretative problems.
Anthony