A. Colantuono

 A. Colantuono

A. Colantuono

  • Courses4
  • Reviews14

Biography

University of Maryland - Art History


Resume

  • 2011

    Dept. of Art History and Archaeology

    University of Maryland

    College Park

    College Park

    MD

    Teaching in all areas of Southern European Baroque Art History; Director of Graduate Field Committee in Medieval and Early Modern Studies (MEMUM); Undergraduate Director; Chair of Faculty Search Committees in Ancient Roman and Ancient Eastern Mediterranean Art; many other administrative assignments.

    Professor

    University of Maryland

    College Park

    Dept. of Art History and Archaeology

  • 1988

    Wake Forest University

    Wake Forest University

  • 1986

    Kenyon College

    Gambier

    Ohio

    Kenyon College

    Gambier

    Ohio

    Associate Professor

    University of Maryland

    College Park

  • 1980

    Italian

    English

    French

    Doctor of Philosophy (Ph.D.)

    Specializing in Italian Renaissance and Baroque art

    art theory and criticism

    I completed my Ph.D. dissertation titled 'The tender Infant: Invenzione and Figura in the Art of Poussin' in 1987.

    History of Art

    Graduate Fellowships 1980-83; 1985-86\nFellow of Villa Spelman

    Florence

    Italy 1982-83\nKress 'Rome Prize' Fellow

    American Academy in Rome 1983-85

    The Johns Hopkins University

  • 1976

    Bachelor's degree

    Art History

    Rutgers University (Rutgers College)

  • Public Speaking

    Grant Writing

    Editing

    Higher Education

    Teaching

    University Teaching

    Research

    Art History

    History

    Titian

    Colonna and the Renaissance Science of Procreation (2010)

    Titian

    Colonna and the Renaissance Science of Procreation demonstrates that two major monuments of Italian Renaissance culture - Bellini's and Titian's famous series of mytho-poetical paintings for the camerino of Duke Alfonso d'Este of Ferrara

    and Francesco Colonna's Hypnerotomachia Poliphili - were conceived as mnemonic or pedagogical devices aimed at educating the reader/beholder in the medical science of reproductive physiology and the maintenance of sexual health. It is further argued that the learned courtier Mario Equicola

    who conceived the pictorial program of Duke Alfonso's camerino

    had read Colonna's text and was extensively inspired by its prior literary argument.

    Colantuono

    Anthony Colantuono is Professor of Early Modern Italian Art History specializing in 17th Century Southern European Art at the University of Maryland

    College Park. He earned his Ph.D. at The Johns Hopkins University with a dissertation entitled: 'The Tender Infant: Invenzione and Figura in the Art of Poussin'​ (1987). He held a two-year Kress Fellowship at the American Academy in Rome (1983-85)

    a Robert Lehman Fellowship at Villa I Tatti (The Harvard University Center for Italian Renaissance Studies in Florence

    Italy)

    and two NEH Fellowships (Summer 1990

    and calendar year 2004). He is the author of several books including 'Guido Reni's Abduction of Helen: The Politics and Rhetoric of Painting in Early Modern Europe'​ (Cambridge University Press

    1997); 'Titian

    Colonna and the Renaissance Science of Procreation: Equicola's Seasons of Desire'​ (Ashgate

    2010); and (co-edited with Steven Ostrow)

    'Critical Perspectives on Roman Baroque Sculpture' (Penn State University Press

    2014)

    as well as numerous scholarly articles and essays on diverse theoretical and interpretative problems.

    Anthony

ARTH 201

3.3(9)

ARTH 330

4.8(3)